Cha-Cha - Hermann Mutschler - Play With Rhythm (Vinyl, LP)


Download Cha-Cha - Hermann Mutschler - Play With Rhythm (Vinyl, LP)

Label: Hohner - LP 3006 • Format: Vinyl LP, Stereo • Country: Germany • Genre: Jazz, Rock, Latin, Brass & Military •


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8 thoughts on “ Cha-Cha - Hermann Mutschler - Play With Rhythm (Vinyl, LP)

  1. The MPS Rhythm Combination & Brass* Leader: Peter Herbolzheimer - My Kind Of Sunshine ‎ (2xLP, Album, M/Print) MPS Records, BASF, MPS Records, BASF 33 , 21 /5(8).
  2. LP Das Tanzorchester Rolf Schneebiegl*, Hubert Deuringer Und Seine Solisten*, Das Dieter Reith-Sextett* Das Tanzorchester Rolf Schneebiegl*, Hubert Deuringer Und Seine Solisten*, Das Dieter Reith-Sextett* - Treffpunkt Rhythmus ‎ (LP, Album, Mono) Hohner Records: LP .
  3. View credits, reviews, tracks and shop for the Vinyl release of Cha Cha on Discogs. Label: Ariola - ,Ariola - • Format: Vinyl LP, Album • Country: Netherlands • Genre: Rock • Style: Rock & /5().
  4. This CD entitled Strictly Dancing--Cha Cha offers an excellent introduction to cha cha dancing for people who want to dance the cha cha. The music bears that distinctive early s Latin American beat and you will enjoy learning the cha cha as you listen to the music on this CD/5(7).
  5. In cha-cha-cha music this melody is more often played by the flute or violins, though it’s purpose (to provide a catchy hook) is the same. Like in salsa music a cha-cha-cha intro will typically end with some band hits (the whole band playing a specific rhythm together) or a .
  6. The track “Inspiration in 6/8” by the German trio of drummer Hermann Mutschler features Dieter Reith on piano, only 24 years old, but already well developed and strong in his playing. That tune was recorded live at the German Jazz Festival in Frankfurt , the same venue as the previously unreleased recordings from Barney Wilen, Joki.
  7. Origin. Cha-cha-chá is a Cuban music genre whose creation has been traditionally attributed to Cuban composer and violinist Enrique Jorrín, who began his career playing for the charanga band Orquesta América.. According to the testimony of Enrique Jorrín, he composed some danzones in which the musician of the orchestra had to sing short refrains, and this style was very successful.

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